
McCraney's language is certainly powerful, and his controversial reworking of the Yoruba myth-cycle gives the play a compelling feel of the epic as it tells a surface story that is very naturalistic. But this wonderful poem on brotherhood ends on a suspended chord, never resolving into a true conclusion any more than Bill Bixby walking with his duffel slung on his back ever ended The Incredible Hulk.
Still, a writer to keep an eye on and a play cycle I'd like it read in it's entirety later this year.
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